I have always found unacceptable our societies’ excessive tolerance towards violence and the depiction of violence with their simultaneous prudish avoidance of sexual imagery in the (semi-)public domain. The key element here is encoded in ’simultaneous’: I realise people and groups have sensitivities and weaknesses and in our age we are all witnessing how we can no longer afford to ignore either.
My suspicion is that this simultaneous avoidance of (representations of) sex and embracing of (representations of) violence is deeply political. Namely, I think you would agree that authority, religion, multinationals, sexist pigs, fundamentalists and the like can reasonably hope to achieve more of their aims and more effectively so by appealing and resorting to violence and by attempting to condition the public to “violence as a means / a solution / a last resort”; at the same time, sex hardly offers itself to any of the above, being erratic, incidental, and so on.
As I can hardly match Foucault or Marcuse, or any of the great ones, and as I feel we are all corrupted by that part of dominant ideologies which leads us to consider bombed homes and massacred civilians a suitable thing to expose families to at dinnertime, as opposed to nudity, sexual foreplay or intercourse, I will try to run a little experiment of sorts.
Before that, you click on all the links below at your own risk, they all lead to images unsuitable and distressful for some. They are all of (reasonably) non-artistic value, to control for matters like the limits of art and the like.
So, suppose you are at your family or work computer and you click on this link. No eyelid will bat and, crucially, I doubt that these pictures of death, of people suffering and of their homes reduced to rubble would be carrying a ‘may offend’ warning anywhere in the world. They are also safe for work and, as seems to be generally understood, of no corrupting influence whatsoever.
Now, suppose you are at your family or work computer and you click on this link instead. Eyelids will bat and, crucially, pictures like this one do carry ‘may offend’ tags and are not tolerated in many parts of the world. Actually, this link is inaccessible where I work, for instance, as it leads to ‘Nudity’ and is blocked by some devious and morality-guarding software. This is just as well, given that this picture appearing on your screen would make you no friends with your employers, as such material is not safe for work and, as seems to be generally understood, of some corrupting influence.
The same software guarding us from corruption happily let through this (I seriously warn you against clicking on — it’s of the stuff that gives nightmares), which I found via the Goose, whose blog by the way has suffered from Blogger for featuring nudity. Somehow, it’s ok to view this stuff at work and it’s not blocked by nanny software either.
Two points are worth stressing so far:
First, it is of no real consequence whether the image of the shot person is genuine or not (I mean I can personally assure you about the cosmetic value of PhotoShop airbrushing in most shots containing nudity);
Second, the shock value of the picture of a naked woman compared to that of the horrifically mutilated person is or should be negligible — still nobody would call you names for viewing the latter on your computer. Take a minute and think about it.
Let us now raise our stakes. I am not capable of clearly expressing why and how, but politics clearly enters the whole business of what is corrupting, offensive, safe for work or, say, suitable for teenagers. Illustrating:
Death and destruction in the Lebanon is ok for viewing anytime, anywhere, by anyone. The mutilated “suicide bomber” is shocking and horrific (and, to me, sobering, as it makes me consider the ‘beauty of our weapons’ and what they are for) but not immoral, offensive, filthy, sleazy or of corrupting influence — it is safe for work. The picture of a naked woman is hardly shocking and horrific but may be considered immoral, offensive, filthy, sleazy or of corrupting influence — it is not safe for work. Still, even this last unsafe item is ‘better’ than this (or any of these), although quite sanitised and tame. Why? Are male bodies inherently more immoral, offensive, filthy, sleazy or of corrupting influence than female ones? No, it is obviously a matter of politics.
Concluding: we live in a world of distorted priorities. In a world where we feel it is better to waste work hours looking at death and heart-wrenching misery than at healthy and amorously disposed human bodies; in our world we would mind less catching our teenage kid ogling at the image of someone’s face destroyed by weaponry than catching her or him looking at mildly stimulating representations of sex. We live in a world where morality is conceived as a struggle against (public or semi-public representations of) sex, not as a struggle against poverty, hunger, crime, injustice, oppression. Distorted morality, indeed.




